Biography

Black and white is my native language. In its simplicity lies a unique strength: it strips the world of the superfluous and preserves the essential—light, shapes, shadows, faces. By removing color, I reveal the raw matter of a moment: a bare emotion, a deep gaze, a truth without artifice.

Street photography today is demanding. In an era when smartphones capture thousands of images, the act of photographing with a dedicated camera is rare—and sometimes intrusive. In this flood of fleeting images, patience and discretion are needed to catch something true: to wait until a look appears, a gesture emerges, a light reveals the soul of a scene.

To me, every frame is more than an image. It is a fragment of our time, a human imprint that bears witness to relations, emotions, and the small vulnerabilities we share without always noticing them. Catching a silent glance, a fragment of anonymous life, is to preserve a truth that would otherwise be lost in the city’s noise.

The street is not a static backdrop: it is alive and vibrant, crossed by stories that meet and disappear. Photographing is paying homage to this fleeting humanity. It is resisting oblivion by keeping proof—within a single frame—that a moment existed, holding all the strength of the present.

With my photographs, I am not after effect or spectacle. I seek the essential: raw emotion, the dignity of subjects, the fragile truth of gazes. I stand for an honest, respectful practice: never to betray, never to harm, but to testify with fairness.